

Storyline: Dancer in the Dark (2000) 1964 in small town Washington state. Selma Jezková, a Czechoslovakian immigrant, and her preteen son Gene live in a rented trailer owned by and on the property of married Bill and Linda Houston, he the town sheriff. Beyond Bill and Linda, Selma has a small group of friends who look out for her, including her primary confidante, Kathy, with who she works, and Jeff who wants to be her boyfriend. Jeff regularly waits outside Selma's workplace long before the end of her shift to drive her home, despite she always refusing in not wanting to lead him on. Her primary job is working on the Anderson Tool factory assembly line, but she does whatever she can to earn money. What only Kathy knows among Selma's friends is that she is slowly going blind, her medical condition being genetic. Selma is barely able to see, just enough to do her job. Her primary reason for moving to the US and for working all the time is to earn enough money for an operation for Gene when he turns thirteen, he who doesn't know anything about his mother or his own degenerative eyesight. None of Selma's friends, not even Kathy, know about the money for Gene's operation. Beyond this sole goal of the operation, Selma allows only one indulgence in her life, anything having to do with musicals, which she loves, it an escape from the problems of her life. Kathy often takes her to the cinema to watch old musicals, Kathy who has to describe to Selma what is happening on the screen much to the other patrons' chagrin. Selma also has the lead of Maria in a community theater production of "The Sound of Music". Close to having enough money for the operation, Selma is in a race against time before she loses enough of her sight not to be able to work or participate in the musical production. What may also threaten Selma's goal of the operation for Gene is some financial problems facing Bill. He feels pressured to provide Linda with the comforts of life to which she is accustomed that he believes she requires in their marriage to be satisfied, and as such he is reluctant to tell Linda of those financial problems.
A Taste of Evil (1971) On her way home from a stay at a mental institution after a traumatic rape, a woman realizes that someone is deliberately trying to drive her insane.
Charlie Chaplin The Kid (1921) The opening title reads: A comedy with a smileand perhaps a tear. As she leaves the charity hospital and passes a church wedding, Edna deposits her new baby with a pleading note in a limousine and goes off to commit sui
Bobbie Jo and the Outlaw (1976) A young country-star wannabe takes off from her carhop career to join with a young, modern Billy the Kid wannabe for an adventure in theft, murder and mayhem.
Baffled 1972 A US racing champion is haunted by intense visions of an American woman in some kind of danger in a English mansion A British ESP and occult expert believes that his visions will really happen and asks him to help her investigate
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The Magic of the Golden Bear: Goldy III (1994) When a sly magician casts a spell so that he can buy Goldy, the last Golden Bear, Jesse runs away with her pet. Hiding deep in the heart of the forest, the youngster meets a 'Ghostman' who believes all a
Dernieres nouvelles du cosmos 2016 NA
The Guys Next Door (2016) An intimate portrait of a real Modern Family: Meet Erik and Sandro, a gay couple with daughters birthed by their friend Rachel who's married with three teenagers of her own.
Last Days in Vietnam (2014) During the chaotic final weeks of the Vietnam War, the North Vietnamese Army closes in on Saigon as the panicked South Vietnamese people desperately attempt to escape. On the ground, American soldiers and diplomats confron
Loft 2005 Reiko, a prize winning writer, moves to a quiet isolated house to finish up her new novel One night she sees the man next door transporting an object wrapped in cloth She finds out he is an archaeologist researching an ancient mummy that wa
Chinese Portrait (2018) Factory and construction workers, farmers, commuters, miners, students. The director captures the state of his nation, by static filming one or more people in more or less motionless poses. No narrative, just portraits.
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